Other Worlds Ink has a new hopeful sci-fi anthology out: Fix the World.
And there’s a giveaway! Included is a “Just for Funsies,” Q&A with author Bryan Cebulski
We’re a world beset by crises. Climate change, income inequality, racism, pandemics, an almost unmanageable tangle of issues. Sometimes it’s hard to look ahead and see a hopeful future.
We asked sci-fi writers to send us stories about ways to fix what’s wrong with the world. From the sixty-five stories we received, we chose the twelve most amazing (and hopefully prescient) tales.
Dive in and find out how we might mitigate climate change, make war obsolete, switch to alternative forms of energy, and restructure the very foundations of our society,
The future’s not going to fix itself.Publisher | Amazon | iBooks | Barnes & Noble | Kobo | Liminal Fiction | Thalia | Goodreads
OWI is giving away a $25 Amazon gift card with this tour:
by J. Scott Coatsworth
The rumbling increased to a roar, and more dark patches appeared in the green lagoon waters. So expensive. So laborious to stabilize what was left. But every bit worth it, in this moment.
A great spume of water sprayed high enough to throw a shimmer of mist across her face as the first part of the old city broke the surface. As the spume cleared, the top of the Campanile di San Marco rose above the water, green roof gleaming like new. A nice touch. The Restoration Guild must have worked overtime on that one. Its golden weathervane was gone, but the bas relief of the lion of St. Mark made her clutch her heart.
“Mamma, what’s the lion for?” She licked chocolate off her hands, desperate to make her afternoon snack last just a little longer.
“It’s the symbol of the city.” Mamma put her hand on Cinzia’s chest, patting it—boom boom, boom boom. “The beating heart of who we are.”
Cinzia stumbled. It felt like yesterday.
“You okay?” Gio’s brow creased.
“I… sorry, yes. So many memories.”
Skipping over the bridges. The bad days of the quarantine. The corner market where mamma used to do her grocery shopping…
Another building broke the surface nearby—the Santa Maria della Salute, the beautiful basilica. Water poured off the gorgeous green domes in a thundering flood. They were mostly intact, though one of the smaller ones had a gaping hole—water poured out of it, cascading down to the lagoon like a waterfall, joining the general uproar of the Rise.
“Look, Kendra. You can see the outlines of the Canal Grande now.” The old waterway—the pulsing artery of the city—snaked away from them like a backwards ’S.’ In the distance, she could make out the edge of the Sestriere Cannaregio, the district where her mamma had lived in a modest apartment in an old stone palazzo that looked out on a concrete courtyard.
Waters rising, as it rained for close on a month, coming ever closer to their own second-floor balcony.
“What if the water doesn’t stop coming?” Cinzia stared out at the concrete courtyard, where the seawater swirled and churned.
“Don’t worry about that, tesoro. The water always stops, eventually. Now come here and help me with dinner.”
She had been lucky. She had survived.
All across the lagoon, the buildings of Venice were rising from the water. Many were broken, piles of bricks and debris covered with algae and surprised fish that flopped around on suddenly exposed land. The outlines of the city were becoming clear as water poured out of the buildings, churning the lagoon into a muddy, frothy mess.
A row of palazzos along the edge of the Canal Grande collapsed, sending up a deafening roar as they crumbled into rubble. Cinzia stepped back instinctively, pulling Kendra with her as the platform rose thirty meters into the air to avoid the cloud of debris that briefly rose above the lagoon before settling back to earth.
“Nothing to be alarmed about. Not all buildings were stabilized prior to the Rise.” Doctor Horvat’s lined face nodded reassuringly from the hovering screen before them, her voice broadcast across the world and to the Lunar colonies far above. “We expected some collapses. We will keep you away from the dangerous areas.”
“What if the city doesn’t stop rising?” Kendra grasped the railing, her gaze locked on the scene below.
Gio knelt next to the girl. “There’s no chance of that. The polyps have a very short lifetime…”
Cinzia was grateful to him. He probably understood the science behind all of this far better than she.
Her mind drifted.
They ate the last of the almond cantucci, savoring the hard cookies even though they were stale. Cinzia was still hungry, but she knew better than to ask for more. There was no more.
Outside, the rain had finally slowed to a constant drizzle.
Mamma ruffled her hair, managing a wan smile. “I need you to stay here, Cinzia. Someone will come for you, I promise. I will find us help.”
The helicopters had stopped coming days before, and the boats that had been plentiful the first few days, with men telling them to stay put, had bypassed their part of the city ever since.
The rumbling subsided.
Cinzia opened her eyes and looked around. For just a moment, there was absolute silence on the traghetto, along the shore, and on the sky board.
She looked over the railing.
Venice—her Venice—lay before her. It was in sad shape. Many of the landmarks she remembered were tarnished or broken. Whole zones of the city had collapsed, and except for Piazza San Marco, a green film covered the risen city. She was a ghost of her former glory.
But she was there, as solid and real as the hand before Cinzia’s face.
Bryan Cebulski “Just for Funsies” Q&A
Writer of “From the Sun and Scorched Earth,” a short story in Other Worlds Ink’s Fix the World anthology.
Bryan Cebulski is a small town journalist and writer of quiet queer fiction, both speculative and literary. He lives in a tiny house in the woods of Northern California that he and his boyfriend built (or rather, are perpetually in the process of building) along with their cat. He is in the final stages of revising a queer solarpunk YA novel before querying agents. “From the Sun and Scorched Earth” is his first professionally published short story. Find Bryan on Twitter at @BryanOnion.
• Do you have any strange writing habits or superstitions?
◦ Not sure if this counts as strange but contrary to Big Popular Advice I don’t write every day and I certainly don’t write for a consistent amount of time whenever I do. I find that while I appreciate writing as work, writing every day or getting X amount of words out per week or whatever isn’t actually beneficial to my process. It doesn’t make sense to me to always be writing when I don’t always have something to I want to write about. That said, I’m very rigorous when an idea does come up. I don’t know, drafting is a joyful process for me and I don’t get why authors love to romanticize how much they hate it.
• Coffee or Tea?
◦ Hmm I’m too committed to my one cup of coffee in the morning to not say coffee. But I do like tea and in my imaginings of the future, tea is much more prevalent than coffee since I see the cultural obsession with high-caffeine beverages as less prevalent in a post-capitalist society. And in tea’s favor, I always have a stack of Celestial Seasonings herbal teas around and usually have a peppermint or tension tamer at night. But then herbal teas aren’t technically teas. So!
• What fantasy realm would you choose to live in and why?
◦ The distant mysterious utopia of “California” from Kim Stanley Robinson’s Pacific Edge seems like a good place to live. Mostly because it basically represents where and how I live now but, uh, much, much nicer and kinder. Otherwise, I don’t know—most sci-fi settings seem like pretty awful places to live to be honest! There are some I’d be interested in visiting though. The anarchist planet of Anarres from Ursula K. Le Guin’s The Dispossessed comes to mind. And I’d love to have an interpersonal relationship with a sentient spaceship like people do in Aliette de Bodard’s Xuya universe.
• What fictional character would you like to spend an evening with, and why?
◦ I’m thinking about this less as a “what can I learn from them” and more of a “how can I help them not suffer a breakdown because of all the pressure they’re under in their stories.” Like Bren Cameron from C.J. Cherryh’s Foreigner series—one of my favorites—just because he seems very stressed out all the time and I would like for him to have a nice night where nothing goes wrong for a change. Or Miles O’Brien from Star Trek TNG and Deep Space Nine for the same reason.
• Which of your own characters would you Kill? Fuck? Marry? And why?
◦ Well geez! Marriage is out because, well, I just can’t seem to think of my characters in that way. And I tend to write very muted, sympathetic characters who deal with relatively low-stakes problems (my story in Fix the World is a bit against type), so they don’t exactly inspire me to a killing rage. And most of the characters in my fiction are teenagers anyway so that excludes them from discussion. I am, however, in the final rounds of revising a solarpunk novel that prominently features a sex worker commune, so I assume there would be one or two people in there who would qualify for the second category.
• How does the world end?
◦ I mean “the world” probably won’t end unless it literally blows up or gets burned up from surface to core, and even then pieces of it might eventually foster new life. But the human race will probably end slowly and miserably and in a way that other, more enlightened life forms will later deem very silly and unnecessary.
• Star Trek or Star Wars? Why?
◦ Star Trek wins by default because I am one of those staunch Deep Space Nine fans. Plus although we’re being inundated with too much of both franchises right now, I think the newer entries in the Star Trek canon are mostly more interesting than the Star Wars stuff. Others may feel differently!
• You have been turned into an adult beverage. What are you?
◦ I’m imagining a sort of Ramna ½ situation where depending on the situation occasionally I’m a gin and tonic in a fancy glass and other times I’m straight whiskey in a mason jar with a single large ice cube.
• Who is your favorite author?
◦ Definitely can’t pick just one. Kim Stanley Robinson is probably the most inspiring for me though. I don’t love all his fiction, but I admire how it is all hopeful or optimistic without relying on sentimentality or magical thinking. And he’s much better with characterization than people give him credit for! I’m also in love with James Baldwin’s work, mostly for his essays and those beautiful, cerebral, tragic later novels like Just Above My Head and Tell Me How Long the Train’s Been Gone. As for up-and-coming authors, Julian K. Jarboe’s collection of queer fabulist short stories Everyone on the Moon is Essential Personnel was easily my favorite book of 2020 and I’ll read anything they put out in the future in a heartbeat.
• What’s your drink of choice?
◦ For alcohol: Usually gin and tonics, although my partner and I are going through a dalliance with sherry right now because of a scene in an old Cary Grant movie that made it look very delicious (It is). And as said above, I’m big on herbal teas. I’m also getting deep into the world of noncaffinated coffee alternatives. So far the best is Pero. Caffix and Postum are okay.
• What’s in your fridge right now?
◦ Without looking I know there’s peanut butter and jelly, a loaf of bread that my boyfriend made, kale, a bunch of neem root sticks that are supposed to be good for your teeth if you chew on them, a nearly-empty bottle of cannabis oil that I mostly appreciated because it had lavender in it, soy milk, and a bunch of mushroom plugs that I still need to inoculate a log with.
• What food(s) fuel your writing?
◦ I didn’t notice this before but I don’t think I ever eat while writing. That said, scones. Even just thinking about them.
• Christmas or New Years?
◦ New Years. Much less pressure. And more secular. It’s mostly a normal day except we have a nice dinner and everything’s overlaid with that sense of one book closing and another, possibly better, book opening..
• Cats or dogs?
◦ Cats, although I love all the dogs of all my neighbors and friends. I just live in a tiny house so dogs are kind of a no-go personally both for space considerations and practicality.
• Shakespeare or Dr. Seuss?
◦ I’ve grown to appreciate Shakespeare more and more since being forced to read him in high school, and especially after watching that super gay version of A Midsummer Night’s Dream that was recorded and performed at the Globe Theater. Oh and Kenneth Branagh’s 1996 Hamlet. And as great as the Lorax and other of Seuss’s creations are, I can’t forget those racist cartoons he used to make too.
• You’ve been given a microphone that everyone on the planet can hear and understand. You have 10 seconds to say anything you want. What do you share with the world?
◦ Well ten seconds isn’t a ton of time to lay out a comprehensive vision of a better world or anything like that. So maybe I would scale it back and do something everyone can appreciate
Bryan Cebulski is a rural California-based journalist from the Midwest who writes quiet queer speculative and literary fiction.
Scott Coatsworth lives with his husband Mark in a yellow bungalow in Sacramento. He was indoctrinated into fantasy and sci fi by his mother at the tender age of nine. He devoured her library, but as he grew up, he wondered where all the people like him were. He decided that if there weren’t queer characters in his favorite genres, he would remake them to his own ends. A Rainbow Award winning author, he runs Queer Sci Fi, QueeRomance Ink, and Other Worlds Ink with Mark, sites that celebrate fiction reflecting queer reality, and is a full member member of the Science Fiction and Fantasy Writers of America (SFWA).
Rachel Hope Crossman grew up in Athens, Greece and Berkeley, CA as the child of a linguist and an actor. Her imagination, marked by the stones of the Acropolis, the granite slabs of the Sierra Nevadas and the blues of the San Francisco Bay, is the all and everything that fuels her engine. A preschool teacher, then substitute teacher, Rachel ultimately followed her Montessori bliss to teach elementary. Mother of four grown children and author of Saving Cinderella: Fairy tales & Children in the 21st Century, (2014 Apocryphile Press), Rachel currently writes eco-fantasy and science fiction stories.
Jana Denardo is Queen of the Geeks (her students voted her in) and her home and office are shrines to any number of comic book and manga heroes along with SF shows and movies too numerous to count. There is no coincidence the love of all things geeky has made its way into many of her stories. To this day, she’s still disappointed she hasn’t found a wardrobe to another realm, a superhero to take her flying among the clouds or a roguish star ship captain to run off to the stars with her.
J.G. Follansbee is an award-winning writer of thrillers, fantasy and science fiction novels and short stories with climate change themes. An author of maritime history and travel guides, he has published articles in newspapers, regional and national magazines, and regional and national radio networks, including National Public Radio. He’s also worked in the high-tech and non-profit worlds. He lives in Seattle.
Ingrid Garcia helps selling local wines in a vintage wine shop in Cádiz and writes speculative fiction in her spare time. For years, she was unpublished. But to her utter surprise—after years of receiving nothing but rejections—she’s sold stories to F&SF, and the Ride the Star Wind and Sword and Sonnet anthologies. She tweets as @ingridgarcia253and is busy preparing a personal website and—dog forbid—even thinking about writing that inevitable novel
Jennifer R. Povey was born in Nottingham, England, but she now lives in Northern Virginia, where she writes everything from heroic fantasy to stories for Analog. She has written a number of novels across multiple sub genres. Additionally, she is a writer, editor, and designer of tabletop RPG supplements for a number of companies. Her interests include horseback riding, Doctor Who and attempting to out-weird her various friends and professional colleagues.
Mere Rain is an international nonentity of mystery whose library resides in California. Mere likes travel, food, art, mythology, and you. Feel free to reach out on social media. Mere Rain has published speculative short fiction with The Mad Scientist Journal, Mischief Corner Books, Things in the Well, and Mythical Girls.
D.M. Rasch writes feminist speculative fiction for LGBTQ+ young adults and adults, exploring where the social and political meet the personal. Her characters are often found doing their best in worlds that challenge them to become their best selves. Queer representation and reaching out to LGBTQ+ youth drive her writing, informed by her MFA in Creative Writing from Regis University and two bossy sister kittens who like to edit. She identifies as a genderqueer lesbian, currently writing and working (remotely) in the Denver, CO area as a creative mentor, coach, and editor in her business, Itinerant Creative Content & Coaching LLC.
Holly Schofield travels through time at the rate of one second per second, oscillating between the alternate realities of city and country life. Her stories have appeared in Analog, Lightspeed, Escape Pod, and many other publications throughout the world. She hopes to save the world through science fiction and homegrown heritage tomatoes.
Anthea Sharp is the author of the USA Today bestselling Feyland series, where a high-tech game opens a gateway to the treacherous Realm of Faerie. In addition to the fae fantasy/cyberpunk mashup of Feyland, her current novels are set in the shadowed enchantment of the Darkwood, where dark elves and fairytale elements abound. Anthea lives in sunny Southern California where she writes, hangs out in virtual worlds, plays the Irish fiddle, and spends time with her small-but-good family.
Alex Silver (he/him) grew up mostly in Northern Maine and is now living in Canada with a spouse, two kids, and three birds. Alex is a trans guy who started writing fiction as a child and never stopped. Although there were detours through assisting on a farm and being a pharmacist along the way.